Brandon Mitchell’s new album “Gametime” is more than just a collection of hip-hop songs—it’s a testimony, a reflection, and a motivational manual for navigating life with resilience, purpose, and faith. Known for his layered career as a dancer, actor, choreographer, DJ, and philanthropist, Brandon is no stranger to the spotlight. But in this project, he brings his full self—his triumphs, lessons, faith, and family—into focus with striking candor and musical versatility.
Spanning 15 tracks, “Gametime” feels like a carefully sequenced journey—each song a checkpoint in the life of someone determined to inspire from a place of authenticity. The opening and title track, “Gametime,” sets the tone with Brandon’s declaration that the game of life is already won before it starts. It’s not about ego or dominance—it’s about recognizing your divine worth, trusting the preparation, and showing up for what’s yours.
The introspective “Dirty Dishes” follows, an unexpected but deeply human metaphor that highlights the everyday messiness of growth, responsibility, and self-reflection. Brandon finds beauty in the mundane, reminding listeners that even the smallest tasks reflect character. He doesn’t waste a moment glamorizing the grind—instead, he elevates it.
“Sugar” changes pace with a smoother, more melodic vibe. It balances sweetness with soul, proving Brandon’s ability to shift styles without losing message. “Legendary Elevation” featuring Nia Cheri is one of the standout tracks—part love letter, part affirmation, with a sonic landscape that lifts as high as its title suggests. Their voices blend with synergy, delivering verses that speak to mutual upliftment and self-belief.
“Right Back” is a personal and lyrical flex rooted in perseverance. It’s about bouncing back, yes, but also about knowing you belong in every room you walk into. “Highest Wave 2” continues that theme, layering deep spirituality with laid-back confidence—surfing life’s highs and lows without getting drowned in either.
Then comes “Buried Underneath,” a hauntingly honest look at emotional weight and suppressed struggle. Brandon’s delivery here is raw, his bars cutting through minimal production to bring vulnerability to the forefront. It’s moments like these that separate “Gametime” from other hip-hop albums—it’s not afraid to slow down and get quiet.
“Plays” and “No Gloves” bring the energy back up. These are competitive anthems, high-adrenaline tracks full of strategy metaphors, but they never stray into braggadocio. Instead, they remind us that victory comes from preparation and patience. “What We Doin” featuring Bussy B is fun and infectious, a moment of communal energy that still fits within the album’s introspective arc.
“Untitled Love” featuring Irv Da PHENOM is a gorgeous surprise—a stripped-down ballad that blends spoken word with smooth hip-hop cadences. The vulnerability here is tangible, and the feature adds a grounded soulfulness that elevates the track to standout status. “Brooklyn’s Song” featuring Brooklyn Aviel, likely dedicated to his daughter, is a deeply personal tribute. Soft, warm, and overflowing with heart, this track is a direct line into Brandon’s role as a father, showing how love and legacy fuel his work.
As the album nears its close, “Walking Bucket” featuring Nia Cheri brings the fire back. A hype track rooted in self-assurance and joy, it’s the sonic equivalent of walking into a room and owning it—without apology. “TGBNU,” short for “The Good Band & Ugly,” brings back the introspection. It’s a reflection on relationships, identity, and the way we sometimes outgrow people or roles we once valued.
Finally, “Gametime” closes with “We Already Won,” a triumphant, emotional finale that ties the entire journey together. It circles back to the core message: you’re not trying to win—you’ve already won. Every step, every trial, every delay is part of a greater plan, and Brandon Mitchell is here to remind you to play like it.
This album is a rare blend of real-life experience, musical variety, and unwavering heart. While there are echoes of artists like Lecrae, Common, and J. Cole in terms of conscious lyricism and structure, Brandon Mitchell carves out a lane that’s all his own. He’s not chasing charts—he’s chasing purpose. With “Gametime,” he’s not just delivering tracks—he’s delivering messages. And each one feels like a mirror for the listener to see themselves a little more clearly.
“Gametime” is a reminder that we’re all in the game—but how you play, who you play for, and what you believe before the first whistle—that’s what makes all the difference. Brandon Mitchell’s voice, both literally and artistically, is the voice of a man rooted in love, faith, and unshakable drive. This isn’t just music. It’s motivation in motion.
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