Mia Ghabarou, the Tunisian-Danish composer, songwriter, and visual artist known as 100, steps into her most personal and uncompromising chapter yet with the release of her new single “Red Flags.” Known for her ability to merge electronic composition, classical instrumentation, and visual storytelling, Ghabarou’s work has always occupied the space between sound and vision. Under the alias 100, she transforms these intersections into immersive experiences that move between galleries, clubs, and concert halls, creating an aesthetic world that is as cerebral as it is visceral.
“Red Flags” is the first glimpse into her forthcoming self-published EP Jihad, a project that delves deep into the psychology of desire, loss, and self-alienation. The track unfolds like a confession filtered through distortion—both intimate and confrontational. It’s not a simple breakup song but a raw, ritualistic reflection on emotional contradictions. Depression becomes denial of loss, humor turns into a defense mechanism, and aggression transforms into armor against existential pain. The production mirrors this tension: synthetic yet human, layered yet stripped bare, weaving cinematic strings through industrial rhythms and fractured vocal textures.
Alongside the single, 100 collaborates with the fashion label Sabot on a capsule collection that extends the world of Jihad beyond music. The collaboration captures the visual intensity of Ghabarou’s sound—dark, sensual, and charged with rebellion. It’s an embodiment of her multimedia approach, where fashion, music, and performance converge to express a unified emotional landscape.
Ghabarou’s evolution into 100 is the culmination of a career spent challenging artistic boundaries. Having appeared on forward-thinking labels like Haunter Records, Posh Isolation, and Kornmod, and having been featured on platforms such as NTS Radio, she’s earned recognition across the experimental and underground scenes. Earlier in 2025, Björk opened her DJ set during Milan Design Week with a track by 100—a moment that felt both like an endorsement and a passing of the torch to a new generation of boundary-pushers.
With “Red Flags” and the upcoming Jihad project, 100 redefines what it means to merge vulnerability with power. It’s not just music—it’s an exorcism of emotion, a dialogue between chaos and control, and a declaration of artistic autonomy. In a world oversaturated with detachment, Ghabarou’s voice cuts through like a signal from another dimension: wounded, fearless, and utterly human.
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